As anyone who has taken the time to randomly look at art blogs, soon discovers that there are many exceptional artists, easily humbling ones own art. So for the last few months that I have selected an artist of exemplary qualities with a link on my sidebar, along with a noteworthy exhibit at a museum, I have noticed not too many of my visitors took notice.
What I failed to realize is that the greater majority of sidebars are static and visitors pay little attention, except for the blog roll and ‘Follower’ widget. Even though I had recently redesigned the sidebar to just the essentials, I soon discovered this was not enough for visitors to pay attention to the sidebar. Therefore from now on, I will post on the first of each month my recommended highlights, beginning with this month, March.
The selection process is based on work that I personally enjoy or find interesting, while equal consideration is also given to the artistry, quality of craftsmanship, and consistency of the artists work, along with the technical abilities. With so many qualified individuals, the process is never an easy one, even if I were to change it to a weekly event.
Bateau à Giverny
2009 © Dianne Poinski
This months selection is fine art photographer and artist Dianne Poinski, who’s hand coloured black and white prints have a romantic old-world charm of a time when photography emulated a painters vision.
What attracted me to her work is Dianne’s fine display of artistic sensibilities, the selection of subject matter and how it is composed within her viewfinder. Her prints have a nice tonal value and a good balance between what parts are hand coloured or not, all of which come together in her completed artwork.
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The Art of Painting
Johannes Vermeer van Delft 1665/1666, Inv.-Nr. GG 9128
The exhibit is curated by Dr. Sabine Pénot and Mag. Elke Oberthaler, who focuses on a single painting that Vermeer kept in his studio as a show piece for his potential buyers. The exhibition studies Vermeer’s use of pigments, binding media and technique, including the use of an optical instrument known as a camera obscura with which Vermeer reportedly constructed his paintings, along with the props found in the painting are also reviewed.
Loans from various museums and private collections, together with historical documents from the Dutch archives, we are given an in-depth view of the painting. Rounding out the exhibition, additional paintings, sculptures and films by contemporary artists are who were inspired by Vermeer’s ‘The Art of Painting’ are also featured.
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Song of the River
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